Elevator design is not something many people think of. Even professional architects, urban planners 和 designers overlook their significance to modern buildings 和 cities as a whole. Over the past decade our team of vertical transportation specialists has worked to elevate the narrative around these little spaces in a big way.
设计师设想的“ CHANGE”电梯干预 Kristine Matthews and Karen Cheng, both on the faculty at the University of Washington resulted in a unique collaboration between art 和 business—two distinctly contrasting disciplines. The result, a custom elevator installation that allow riders to reflect upon the dynamic relationship between business 和 change.
The Balfour Building is one of Toronto's lasting piece of Art Deco architecture owned 和 maintained by WTF Group. Their dedication to preservation 和 heritage inspired this custom wall graphic recreating the architectural elevations by Jewish Architect Benjamin Brown.
WIPdesign has created 和 built the lobby 和 the monumental elevator of the Maison Moët &埃佩尔奈（Epernay）的Chandon。 ë悦& Chandon, also known simply as Moët, is a French fine winery 和 co-owner of the luxury goods company LVMH Moët Hennessy Louis Vuitton SE. Moët et Chandon is one of the world's largest champagne producers 和 a prominent champagne house.
Architects 和 designers wanted to create a modern style better suited for the modern mechanical 和 industrial age marking. Art Deco celebrated movement 和 motion developed from what people saw as the aesthetics of the machine age. It was sleek 和 sophisticated, featuring smooth surfaces 和 bold colours in high contrasts like black 和 white.
Japans rich history of craft 和 design dates back ever since humans settled on its islands. Traditionally artisans 和 trained workers used natural materials to craft functional objects. These objects were created to be used, but also to be displayed, a blurring of form 和 function which continues to be emphasized throughout Japan today.
Staged with bold black panels along the main wall, the Assembly Room was furnished with custom Wrightian ottomans along with long plywood tables. Throughout the room other notable projects were put on display as part of the Sixty Years of Living Architecture exhibition showcasing the vast 和 capable work of the accomplished architect.
莱特（Wright）除了是当时最创新的建筑师之一，还涉足了城市规划师的工作。他认为现代城市的设计是一个严重的问题。他们是人口稠密的社区，人口稀少，没有足够的空间来维持生活。像柯布西耶（Corbusier）和密斯·凡德罗（Mies van der Rohe）等其他现代主义者正在总体规划密集的城市以及玻璃和钢制的曲奇塔时，赖特（Wright）设想了一个广阔的乌托邦式乡村，在城市森林和农业用地之间隔开了一些柔软的密度。